THE SILO
a poet in his late 20s
Valerio Adami
Gianfranco Baruchello
Mary Bauermeister
a poem for Max Beckmann
Gene B. Beery
Biala
James Bishop
Norman Bluhm
Jonathan Borofsky
Ulises Carrión
Guglielmo Achille Cavellini
Robert Colescott
James Collins
The Critics
René Daniëls
Karin Davie
Nöel Dolla
East 10th Street (Passlof, Munk)
Melvin Edwards
Jean Eustache
Fallen
Llyn Foulkes
Julio Galán
Gérard Gasiorowski
Paul Georges
Alberto Gironella
Amy Goldin
Raymond Hains
Rachel Hecker
In Memory of Steve Dalachinsky
Shirley Jaffe
Matisse Etc. (part 1)
Matisse Etc. (part 2)
Thomas McEvilley
Carmengloria Morales
Stephen Mueller
Gastone Novelli
Pier 34
Polke and Prince
Fallen
Llyn Foulkes
Julio Galán
Gérard Gasiorowski
Paul Georges
Alberto Gironella
Amy Goldin
Raymond Hains
Rachel Hecker
In Memory of Steve Dalachinsky
Shirley Jaffe
Matisse Etc. (part 1)
Matisse Etc. (part 2)
Thomas McEvilley
Carmengloria Morales
Stephen Mueller
Gastone Novelli
Pier 34
Polke and Prince
Cora Pongracz
Chris Reinecke
Alix Cléo Roubaud
Maya Sachweh
Jean-Michel Sanejouand
Cindy Sherman
Kimber Smith
Duncan Smith
Daniel Spoerri
Marjorie Strider
George Sugarman
Suh Se-ok
Hervé Télémaque
Nahum Tevet
Textility (a woven essay)
The Best Job in the World
Gwenn Thomas
Time Out in the City Limits
Richard Van Buren
Vitrine
Chris Reinecke
Alix Cléo Roubaud
Maya Sachweh
Jean-Michel Sanejouand
Cindy Sherman
Kimber Smith
Duncan Smith
Daniel Spoerri
Marjorie Strider
George Sugarman
Suh Se-ok
Hervé Télémaque
Nahum Tevet
Textility (a woven essay)
The Best Job in the World
Gwenn Thomas
Time Out in the City Limits
Richard Van Buren
Vitrine
The Silo is conceived as a personal, revisionist “dictionary” of contemporary art. Its primary aims are to challenge existing exclusionary accounts of art since 1960 and to offer a fresh look at some canonical artists.
This is a cumulative project; new entries will appear with as much regularity as circumstances allow.
The Silo is partially funded by the Creative Capital | Warhol Foundation Arts Writers Grant Program